Saturday, January 25, 2020

Self Assessment on Child Learning Environment

Self Assessment on Child Learning Environment Part A Reflecting on a childs learning and development as a practitioner is important in order to gauge an understanding of the childs ability to learn and how it can be continually improved. The National Council for Curriculum and Assessment (NCCA) developed a curriculum framework, known as Aistear, which supports practitioners in early childhood care and education (ECCE) settings to reflect, identify and assess childrens learning. Assessment of the childs learning allows the practitioner to gather an understanding about how the child thinks, their abilities, and interests. For a practitioner to understand and assess a childs thinking, abilities and interests they must interact with the child. Good assessment practices depend on listening, empathising, watching and talking with the child (Dunphy, 2008). It is through these types of interactions in everyday activities and experiences with the adult and other children that help form a successful learning process for them. In order to plan and develop appropriate experiences which the child will find enjoyable and exciting, it is important that the practitioner has a good assessment process in place in the ECCE setting. Through observation the practitioner can assess the childs progress and develop a plan to continually enhance the childs development further. It is up to the practitioner to interpret the childs learning using the aims and learning goals outlined by Aistear to then form and plan the learning further. The practitioner must observe to note childrens progress in all areas of their development including skills, dispositions, attitudes, knowledge and understanding (NCCA, 2009). Development through planning is done through two assessment approaches defined in Aistear which include the assessment for learning and the assessment of learning. Assessment for learning takes the approach of supporting and planning the childs learning through reflection and assessment whereas assessment of learning is the approach of measuring, comparing, analysing and reporting (Daly and Forster cited in Mhic Mhathà ºna and Taylor, 2012). These approaches use many different methods of assessment. Each method helps to create portraits of the childrens learning and development. Observation is a key method in assessing a childs learning. Observing a child allows the practitioner to physically see the childs capabilities and document their learning. It allows them to see where the child excels or where they may need further support. It can also show a practitioner how a child interacts in social situations and how they play. While many practitioners use this as their main assessment method it is not the only one. Through the use of different assessment methods the practitioner can form a bigger picture of a childs learning and development. Aistear outlines the five assessment methods; self-assessment, conversations, observations, setting tasks and testing (NCCA, 2009). Self-assessment consists of the children themselves assessing their own learning and development. The child can begin to identity their own achievements and progress. It is then up to the practitioner to help guide the child and discuss with them about their experience. Discussing and having conversations with the child allow the practitioner to further assess and gather a better understanding of the childs learning (NCCA, 2009). By using conversation as an assessment method the practitioner can gain a better insight into the childs thinking then they would from just observing, thus allowing the practitioner to offer the appropriate support for the child. These assessment methods so far discussed are very child lead assessment. It is the child who shows the practitioner their learning and development with the practitioner acting as an observer. Observation can also be adult lead assessment as well as setting tasks and testing. If the practitioner needs to collect information on certain aspects of the childs learning they may design certain activities to help them do so (NCCA, 2009). Through observing, the adult can design activities which interest and excite the child to help them further gather information they may have set out to obtain. From setting these tasks the practitioner can help explain and encourage the child to further their learning and development. This is similar to the assessment method of testing. The assessment should focus on strengths and also aspects which may need further improvement (Dunphy, 2008). The practitioner complies all they have learned through observing and discussing with the child to test the child on certain aspects of their learning and development, such as social abilities. This can allow the practitioners to compare the outcomes with other children of similar ages therefore allowing t hem to see which children are meeting their milestones and who may need further assistance. There is a huge necessity for these assessment methods because without them the practitioner would not be able to understand or have the information needed to assist the child appropriately to develop into a well-rounded holistic child. While using Aistear as a framework to help with good assessment practices in ECCE settings the Centre for Early Childhood Development and Education developed the quality framework Sà ­olta, which also promotes good assessment practices. Sà ­olta was designed to assess and support ECCE settings to continually improve the environment for which the child learns and develops. Sà ­olta aids the practitioner to reflect upon their own role assessing themselves to ensure they are providing quality experiences for every child (CECDE, 2006). As well as reflecting upon themselves is allows the practitioner to assess the environment, equipment, curriculum and interactions, all areas which assist in childrens learning and development. While assessing the child helps create portraits of their learning and development it is also important to use frameworks, such as Sà ­olta, to assess the learning environment. Without an appropriate educational environment which engages, assists, challenges and offers the child different experiences then a child will not learn and develop to their full potential. Part B Lesson Plan for Spring Month: Febuary/March Weekly Theme: Plants Flowers Type of Setting: Montessori/Aistear Room: Pre-School Age of Children: 3-5 Rationale for topic: A child brought a flower to the setting which prompted the other children to want their own flowers. Lesson Plan 1 Hand Print Flower Date: 27th Febuary Number of Children: 8 Dispostions developed: Persistance, responsibilty, investigative, Curiousity, Fun, independence. Rationale for choice of activity: Allow the children to express themselves creatively through visual arts using paint. Make marks to record their own idea of flowers. Long-term aim: To develop their abilities to express themselves creatively, express their imagination and to refine fine motor skills. Develop a connection between flowers and spring. Aistear Link Codes: WB A3 LG1 COM A4 LG2 ET A3 LG1 Sà ­olta Standard: Standard 6: Play Component 6.5 encourages him/her to explore, be creative and use previous learning to make new meaning. Material and/or equipment needed: White paper, various colour paints, paint brushes. Plan: To begin the practitioner will demonstrate how to create a flower using your handprints. The practitioner will paint their hand using a paint brush, printing it in a circular motion around the page then using their fingers to paint the other parts of the flower. Once the practitioner has demonstrated to the children how to create the flower, the children are invited to explore the materials and create their own concept of a flower. Children will be able to choose their own colours and method to create their flower. Reflection: The activity went well as the children actively engaged with the idea of the activity, each creating and exploring their own idea of a flower. They demonstrated curiosity as they printed their hands on the page at different angles to make marks with the paint. The children each used different methods to paint the flower. Some imitated the practitioner while others just used their fingers or the paintbrush. I then noticed (P) had painted squares at the bottom of the page and asked them what did you make when you did these. (P) told me There flower pots, my mammy has lots of flowers in flower pots. This then got one child particularly curious asking me where do flowers grow and how do you make flowers. I told them how flowers grow from seeds either in the ground or they can be planted in a flower pot. The children then shifted their focus from the painting to the discussion and each child shared their idea on how flowers grow. Critique and Evaluate: As the children all wanted their own flower, I set them a task to design their own. They showed confidence in their ability to independently paint their own hands and design their own flowers with the different methods they those. By setting the children the task they have demonstrated the aim of the activity, to express themselves creatively by making marks to record their ideas. Setting the task enabled the children to choose their own colours acting upon their curiosity to explore different marks and experiment with different colours. During the task the children took the lead during the natural occurring opportunity of one child asking questions about where and how flowers grow. This prompted all the childrens curiosity as they all moved their focus from painting to get involved in the discussion. It is important when using the method of setting tasks outlined in Aistear as an assessment method that going forward I use their questions about the flower to co ntinue their interests in planning the next activity. Lesson Plan 2 Plant Flower Seeds Date: 28th FebuaryNumber of children: 8 Dispostions developed: Responsibilty, Curiousity, independence. Rationale for choice of topic: During painting our own flowers the topic of where and how do flowers grow was asked. Planting the seeds and physically watching the flowers will help give the children a better understanding of where and how they grow. Long-term aim: The children will be able to have a better understanding of working theories of where and how the flowers grow. It will also develop the disposition of responsibility as the children will need to care for their flower to help it grow. Aistear Link Codes: WB A3 LG5 IB A4 LG4 ET A2 LG3 Sà ­olta Standard: Standard 7: Curriculum Component 7.4.1 What strategies do you use in implementing the curriculum/programme? Example being facilitating the childrens interest. Material and/or equipment needed: Flower seeds, flower pots, soil, gloves, hand shovel and water. Plan: The practitioner will demonstrate how to plant the flower seed. The children will then be given the hand shovel taking it in turns to spoon soil into their flower pot. Using their finger they will place a hole in the middle of the soil and place the flower seed into the hole covering it over. Once the seed is planted, the children will then use a jug to water the seed. While planting the practitioner will discuss how we care for our plant and what it needs to grow. Reflection: This activity went really well as the children really engaged and showed interest. They demonstrated great independence and manipulation skills as they spooned the soil into the flower pots with great control. (B) did struggle with spooning to soil into to pot and (S) demonstrated great care Ill help you do it as she assisted (B) to get the soil in his pot. (S) than went on to discuss with the other children what they had to do next assisting each of them. Once the children had planted their seeds I discussed with them what the plant needed in order to grow. I asked I wonder what the seed needs to grow. (B) said you pour water on top of it while (A) contradicted (B) telling them No you just put it in the pot. I then said youre both right the plant needs water and soil to grow but it also needs sun. Where should we put the plants so they can get sun?. The children looked around the room (S) shouted to everyone the sun is at the window look as they decided we would place ou r pots here. (B) then reminded everyone we forgot the water lets put it on top the children took turns watering their plant. I discussed with them that the plant will grow roots and drink the water in the soil but this seemed to confuse them especially (B) who kept telling everyone that you pour the water on top of the plant. Critique and Evaluate: The link with Aistears method of assessment using conversations is evident during this activity as the children took turns in talking, listening and discussing their ideas with each other. It is also evident as I responded to the children agreeing with both (A) and (B) as we discussed and I gave feedback about what the plant needed. I also used conversation to prompt the children to share their ideas using an open ended question about where was best to place the flower to get sun therefore aiding the children in expressing their own views and making their own decisions, which Aistears Identity and belonging learning goals outlines. Through conversing with the children it has given them the opportunity to expand on their own knowledge about how to care for materials in their environment and what they need to survive. Lesson Plan 3 Experiment: How plants drink water using food colouring. Date: 1st March-3rd March (observed the flowers over a few days.) Number of Children: 8 Dispostions developed: Investigative, Curiousity, Fun. Rationale for choice of activity: The children will be able to see the food colouring stain the flowers as it absorbs the water helping them develop thinking skills as they can come to an understanding of plants absorbing water. Long-term aim: To continue their intrests about flowers and give the children a better understanding about how the plants absorb water. Aistear Link Codes: WB A3 LG 1 ET A1 LG4 Sà ­olta Standard: Standard 8: Planning and Evaluation Enriching and informing all aspects of practice within the setting requires cycles of observation, planning, action and evaluation, undertaken on a regular basis- the activity planned is from observing and evaluating the childrens interests and taking action to plan according to their needs and interests. Material needed: Food colouring, flowers, jug, and water. Plan: Under the guidance of the practitioner,the childrenwill fill a jug with water and place some flowers in the jug. They will then add food colouring into the water and place the flowers in an area of sunlight. With this activity the flowers need to be observed over a few days to observe the flower changing colour from absorbing the stained water. Reflection: The initial activity was short and prompted many curious questions from the children such as why is the water green how will they drink that how will it change colour. After discussing and answering their questions the children were eager to move on and conduct the experiment. They demonstrated their independence as once provided with the materials and instructions about what and how we were going to do the experiment, they supported and enabled each other to carry it out. I then observed the children as they continually went back to the flowers that day watching to see if they had changed colours. The following day, upon arrival the children raced to the flowers screaming with excitement to see that one of the leaves had green spots on it. (B) look everybody its gone green (S) the plant drank the green water (P) it drinks it from the bottom. Over the next few days the children still continued to have interest over the experiment as I observed them going over to look shar ing it with the other children and even their parents. Critique and Evaluate: From watching and listening to the children I observed how excited and involved they all got while discussing and carrying out the experiment. Using observation as an assessment method has allowed me to see how the children express their excitement and awe using their language, gestures and facial expressions. From taking a step back and observing the children I could see how the children expressed their feeling and thoughts with each other and their excitement to involve their parents. Using observation as an assessment method has shown me that building on the child interests to help them make sense of the world truly excites them. (See appendices for photographs of the activities.) Part C Using the topic of spring, the assessment of the activities helped to plan further activities based on the childs interests. Aistears outlines the features of good assessment practices which involve collecting, documenting, reflecting and using the information (NCCA, 2009). In each activity, the assessment of the activity benefited the child as it built on the childs past experiences which they shared to support the development of new learning. From collecting and documenting the childs interests, it allowed a portrait of the childs interests, abilities and knowledge to be assessed and used to plan further experiences which would help the child/children develop. From using the different methods of assessment such as setting a task, conversations and observation it allowed for appropriate activities to be planned according to the stage of development and interests the child/children were at. Observing over a period of time during the how plants drink water experiment highlighted how e xcited the children got from watching the plant change colour sharing the information with parents. This allows the parent to gain an insight into what the child is interested in which can be further developed outside the classroom. In each activity the children developed the disposition of curiosity. Their curious nature engaged the children to get involved in the painting, planting and experimenting. The activities also showed evidence of the childrens knowledge developing as while planting the children believed that pouring water on the top of the flower helped it to grow were it then became clear during the experiment that they absorbed water from the bottom. From planning the activities, to observing the children while implementing them and using Aistears different assessment methods to record and reflect on the experience, it gives a portrait of the child/children which helps the practitioner to continually provide and enhance future experiences to help develop a holistic chil d. References Centre for Early Childhood Development and Education (CECDE). (2006), Sà ­olta: The National Quality Framework for Early Childhood Education. Dublin: Centre for Early Childhood Development and Education. Daly, M and Forster, A. (2012). Aistear: the early childhood curriculum framework. In: Mhic Mhathà ºna, M. and Taylor, M., eds., Early childhood education and care: an introduction for students in Ireland. Dublin 12: Gill Macmillan. Dunphy, E. (2008). Supporting early learning and development through formative assessment: a research paper. Dublin 2, National Council for Curriculum and Assessment (NCCA) Aistear: the Early Childhood Curriculum Framework. Dunphy, E. (2008). Supporting early learning and development through formative assessment: a research paper: executive Summary. Dublin 2, National Council for Curriculum and Assessment (NCCA) Aistear: the Early Childhood Curriculum Framework. National Council for Curriculum and Assessment (NCCA). (2009) Aistear: The Early Childhood Curriculum Framework: supporting learning and development through assessment. Dublin: NCCA. National Council for Curriculum and Assessment (NCCA). (2009) Aistear: The Early Childhood Curriculum Framework: principles and themes. Dublin: NCCA.

Friday, January 17, 2020

Jasper Jones Southern Gothic Genre Essay

There are points in a person’s life when they must grow, drop their naà ¯ve illusions about the world and step into the shoes of an adult and accept the harsh reality of life. Jasper Jones is a ‘coming of age’ novel written by Craig Silvey set in small town Corrogan. With the main theme being right of passage or coming of age. Jasper Jones has been compared to a Southern Gothic Genre story. Using the narrative conventions of characterisation, setting and language elements of Jasper Jones will be shown to have a connection to the Southern Gothic Genre. Using the narrative convention of characterisation particularly of the novels protagonist Charlie Bucktin is the perfect example of a coming of age character in which Charlie overcomes the obstacles set before him to emerge as a stronger and well-developed character. A good example is on page 12, Craig Silvey demonstrates how the Southern gothic genre by using this example ‘It is a girl†¦ she is pale. In the silver light I can see she bears scratches down her arms and her calves and her face is smudged and bruised and bloody†¦ she is still. She is limp†¦ her head is to the side, like a piece of biblical art. She looks disappointed and sad. Surrendered†¦ â€Å"Who is it† Jasper Jones takes some time to answer Laura Wishart. Its Laura.’ We can infer the text that despite witnessing what appears to be a brutal murder Charlie still has enough presence of mind to think and plan and not be overwhelmed by the tragic death ha has just witnessed. Throug hout the story of Jasper Jones Charlie sees or reads some of the darker truths if the world beyond the naiveties of a child Charlie experiences: death, torture, racism, hypocrisy, abuse of power, adultery, scapegoat and other traumatic or dark experiences. Due to being subjected to this Charlie is forced to grow and step out of his comfort zone to take on the challenges and obstacles set before him throughout the course of the story. An example of this is Charlies confrontation of his greatest fear, insects. On pages 386-387 Craig Silvey demonstrates how Charlie comes of age by using this example ‘I look down. There’s a lumpy carpet of decaying peaches at my feet. It’s a windfall but  it does very little to dissolve my worry. Because hovering above them are dozens and dozens of insects. Mostly bees, I follow there flight and see a hive under a gutter in the house. There are black ants running trails, slaters and worms burrowing into the soft flesh. March flies, blowflies and houseflies. It’s the stuff of nightmares†¦ I look down my breath is short. There’s a teeming metropolis of insects down there†¦ I feel as though I’m already covered in them. Like they’re crawling all over my body, scratching and slithering. I clasp my hands together and grind my palms†¦ either way I have no choice I have to get brave.’ We can infer form these text extracts that from Charlies original plan to allow him safety, he must truly conquer is biggest fear. Because of the insects inside Jack Lionels background Charlie defeats his greatest fear and shows that he has developed from a boy full of fear into not a boy devoid of fear but one who has nonetheless conquered his fears. Charlie is faced with many obstacles found almost exclusively within Sothern Gothic Genre this link shows that elements of the Southern Gothic Genre are prevalent on Jasper Jones more specifically. Jasper Jones is set in a small town in Western Australia Corrogan, in the mid 1960s. Corrogan during the day is a beautiful town, full of kids playing sports. But at night Corrogan is a desolate place comparable to some settings of Southern Gothic Genre. On page 3 Craig Silvey demonstrates how the Southern Gothic Genre effects settings by using this example ‘After climbing my back fence we head downhill into Corrogan houses huddle and cluster together and then stop abruptly as we reach the middle of the town. This late the architecture is desolate and leeched of colour. It feels like we’re traipsing through a post card. We can infer from this text extract that small mining town Corrogan is a desolate place abstract of positive traits and full of decayed dark, derelict, desolate, disturbed and other characteristics only found exclusively within the Southern Gothic Genre. On page 300 Craig Silvey uses a second example of decayed or settings with this example ‘the yard beyond is scruffy and dilapidated. Along the boarder closest to the river, where the brush meets the property, a thick thatch of blackberries press through the rusted wire fence†¦ crows moan from grey leafless branches. They look like silhouettes. Crow shaped holes. We can infer from this text extract that Jack Lionels front yard during the night  is similar to the decayed, dark ominous and derelict settings often found within the Southern Gothic Genre. In addition each of there scenarios feature Charlie overcoming a fear and growing up or ‘coming of age’. Jasper Jones has been often compared to a Southern Gothic Genre one of the greatest examples of this is the speech used throughout Jasper Jones, particularly racism that is experienced most prominently by Jeffrey Lu and his family Craig Silvey takes advantage of the racism against Vietnamese within the specific time frame within Jasper Jones. Using racist phrases such as ‘fuck of Cong’ and ‘oh me so Solly’ page 78, creates a great example of Southern Gothic Genre using the flawed or deeply disturbed characters as a base. In addition to the racism experienced by Jeffrey there are examples of when his family is subjected to racism in particular Jeffrey’s father An Lu. When An Lu’s garden is affected by citizens of Corrogan the phrase ‘red rat’ is mentioned a racist phrase about Vietnamese. We can infer from this as another example of the flawed or deeply disturbed characters found in Southern Gothic Genre, In addition Jeffrey’ s immunity to the racist taunts shows his ‘unflappable’ will or coming of age outlook. In conclusion Jasper Jones has many likes to Southern Gothic Genre, in addition the main theme being coming of age or right of passage is seen repeatedly throughout Jasper Jones. Jasper Jones is connected to Southern Gothic Genre through the deeply disturbed or flawed characters and the decayed or derelict settings. Jasper Jones is a novel that has elements of Southern Gothic Genre all around it.

Thursday, January 9, 2020

The Importance Of A Healthy Lifestyle For Individuals With...

Fritz’s mom is a parent that is clearly and actively involved in her son’s education. She has some valid concerns about her son’s education, and should work closely with the teachers and para-professionals to find balance between school and family functions in order to help Fritz live a healthy and successful life. According to chapter 3 in the Turnbull et al. text, a key aspect of family functions is affection, either by exchanging verbal and physical affection or exchanging unconditional love. Busy teaching programs with lots of rigorous homework, such as the one described by â€Å"The Dynamos† team, often interferes with some family’s only opportunities to catch up on the day’s events, or engage in recreational activities. When this happens it is useful to reconsider the plan to achieve a balance in meeting affection needs not just educational needs (p.57-58). 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